Hospice Casa Sperantei
Brasov
The Challenges
On Endo’s second day in Romania she was given a
tour of the hospice itself, a live-in facility for children
and adults receiving palliative care. The Fellow was
shown a modern, well-equipped facility, staffed with
friendly professionals. To Endo, the place felt more like
the home of a large, cheery family than an institution.
These impressions were in stark contrast to what she
had expected from her earlier review of the NGO’s print
materials and web site, which presented a competent
yet dreary service provider.
Also in the first week a mobile homecare team invited
Endo to accompany it on a suburban visit. At the house
a family member was suffering from extreme pain due
to a brain tumor. His breathing was labored; his vision
had failed. With great sensitivity the hospice team
informed the family that this, most likely, was an end of
life situation. The family accepted the team’s advice that
although an heroic medical intervention might prolong
life, it would more likely increase the patient’s pain and
further compromise his dignity. The family agreed that
the best course at this point would be to take measures
at home to ease the patient’s suffering rather than return
him to the hospital. The Sperantei team provided tablets
of time-release morphine that would relax the patients
lungs and allow him to breathe more freely, increasing
his comfort in what might be his last days or hours.
The hospice team supported the family spiritually and
emotionally through this difficult moment of decision
and with great care.
After this profound experience, on return to Brasov,
Endo felt powerless and depressed. However, she soon
experienced a new resolve: perhaps her skills as a
designer could make a small yet significant contribution
to the vital services that Casa Sperantei provided? She
could help the organization with a new graphic identity
that reflected its sensitivity, warmth, and humanity while
continuing to convey its broad capacity and competency
in palliative care.
Endo dove into a review of the current print materials
to find a mixed bag of logo treatments, a variety of
typefaces, color schemes, and imagery. Her job would
be to lend style and impose order on the graphic look so
as to give the organization a strong, coherent identity. As
educating palliative care workers was as much a part of
the hospice’s mission as providing care to patients, the
new branding would also provide for a complementary
look to the organization’s educational materials.
As for web communications the organization was not
ready to hire a full-time developer or a media specialist
due to lack of resources; therefore, any future online
development needed to be easily updatable by staff with
general computer skills, but lacking in design training.
Another problem with the existing web site was that it
was not robust enough to support an online education
platform, one of the organization’s long-term goals.
The Solutions
Endo prepared a comprehensive presentation to the
hospice’s board on the challenges in updating the
organizations communications. Her proposals were
approved. Endo and the team tackled the web site first.
A staff member translated it into English. Then the team
worked with the Fellow to reorganize the site structure
to provide a more logical flow of information and ease
of navigation, as well as new, more up-to-date content.
Staff members, including nurses, the psychiatrist,
physiotherapist, education coordinator, PR officer,
volunteer coordinator, and more were invited to submit
content. Without a copywriter this approach was the best
way to paint a comprehensive picture of the hospice’s
services and operations.
After a review of out-of-the-box, open source, content
management systems, Endo and Casa chose Wordpress
because of both its robust capacity and moderate
learning curve, which could be quickly mastered by Casa
staff and maintained once the Fellow returned to the U.S.
Remaking the graphic identity proved to be more
difficult than revamping the online presence. It turned
out that earlier attempts to rebrand had been stalled by
experienced hospice staff who were much attached to
the current logo that showed edelweiss, flowers that
symbolize perseverance. This symbol had been used
as a motif since the hospice opened in 1992. Endo’s
attitude toward the imagery evolved as she realized that
the hospice and its edelweiss were symbols of hope
for the city. The Fellow decided that indeed there was
no need for a complete makeover; instead what was
needed was a refinement.

